A durational work that looks at our need for freedom, and where, when and how this exists and is expressed. Engaging deliberate & incidental audiences in public spaces, ‘Everyday Freedoms’ proposes states of being while questioning ideas about value, systems, and freedoms. It is an exploration of physical and intangible containment, of boundaries between collective…
A mass public participation work for audience, community and artists exploring our need to connect to others, to be seen and to be heard, ‘Lost In Feeling’ re-imagines being in a large gathering (e.g. a demonstration, a celebration) where the self is both lost within and empowered by being part of a mass gathering. Occupying…
A song cycle for the technological age. An ode to abstraction, to ambiguity, to words unsaid. Have Robot Dog, Will Travel is a genre-bending mash up of sound, combining explosive vocals and lush melodies with dirty, gritty beats, noise, delicate drones and fragile landscapes. This live performance brings Stephanie’s instrumentarium of lo-fi electronics, baby synthesizers,…
HAVE ROBOT DOG, WILL TRAVEL
A song cycle for the technological age. An ode to abstraction, to ambiguity, to words unsaid.
Akasha – Rosa Ensemble (2016) Imagine a sea, an endless sea with ships crossing it. Each wake, every wave stirred up by a ship tells us something about the past, about that ship, when and where it sailed and in what direction it went. The waves contain information, like a memory. “All goes onward and…
Music by Daniel Cross, Florian de Backere, Jeroen Kimman, Stephanie Pan, Floris van Bergeijk and more
During the performance ‘Tessels Oogh’, by Sarah van Lamsweerde, the audience is sensorily transported back to 1566, the year in which the Oude Kerk fell victim to the iconoclastic fury. As the Oude Kerk gradually falls dark in the evening, memories of these times are reawakened. Objects that were destroyed and stories that have fallen…
Implosion is a participatory performance originally created for Modern Body Festival 2016, in which audience members find themselves collaborators in a dynamic and chaotic composition.
Orlacs Hände, silent film by Robert Wiene (1924) Live music and soundscapes by Stephanie Pan (toy instruments, baby synths and objects) and Joris Weimar (prepared piano, clavichord and cello) for the Sounds of Silence Festival (6 February 2016) Reuniting the star and director of The Cabinet of Dr. Caligari, The Hands of Orlac is a deliciously twisted…
Audience-interactive performance based on Heiner Müller’s Despoiled Shore. A work of Thanos Polymeneas-Liontiris, performed by Stephanie Pan @ Blast Theory (Brighton, UK), 25th November 2015