A Mixtape is a performance for voice, autoharp, taiko, Nebulophone and Bleep Drum (Arduino-based synths), Korg Monotron, and looper. Taking the form of a mixtape as its inspiration, this performance is a live mashup of intimate songs with dirty, gritty electronics, physicality and athleticism. Moving fluidly or jarringly, it is an unrelenting performance for the…
Performance for female voice and surround live electronics (18′) Stelios Manousakis: Composition, Programming, Live electronics Stephanie Pan: Voice Gertrude Stein: Text ‘What is the current that makes machinery’ is a cycle of short pieces for female voice and surround live electronics, written for vocalist Stephanie Pan and her unique capabilities in extended vocal techniques. The pieces…
Actress/Singer. Dutch language radioplay by Bente Hamel (Radiomakers Desmet). Music by Ernst Reijseger and Harmen Fraanje. Voice actors: Hendrik Aerts, Erik van Muiswinkel, Stephanie Pan, Bart Slegers, Lucas de Man. Made for NTR De Bedding, Radio 4 Een hoorspel vane Bente Hamel over ruimteschroot, sirenezang en de jacht op het allermooiste. “Sommige mensen hebben de…
Singer/Taiko player/Composer/Deviser. Modular music theater performance designed for both deaf and hearing public. Description Seeing, Feeling, Hearing Room Black is a music theatre performance about communication: about the necessity of making contact. Three interpreters are trying to do their job in the best way they can, because the audience shouldn’t miss anything. Diligently they attempt…
Singer/Improviser. Experimental mixed-media opera based on the classic Bluebeard. Soundtrack with and by: Michael de Roo, Mete Ensemble, Stephanie Pan, Daniel Cross, Wilbert Bulsink, Jelte van Andel, Koen Kaptijn and Diederik Rijpstra Performances include: [2013] Music Theatre NOW, Jönköping, SE [2012] Sonica Festival, Glasgow, UK; Prototype Festival, New York, US
Rochester is a cabaret/lounge Baroque music performance which sets to music the epic, obscene poetry of John Wilmot, 2nd Earl of Rochester, in a contemporary, experimental and absurdist mishmash of traditional Baroque music and contemporary pop music, on a backdrop of burlesque bal masque.
Music for a feature-length film by Jeanette Groenendaal Premiere: IDFA 2011 Synopsis At the age of seven, director Jeanette Groenendaal moved to a deeply religious village. It was the 1970s, and the girl’s arrival from the big city of Utrecht provoked fear in the hearts of the inhabitants of the small hamlet in the Dutch…
Experimental music theater performance in collaboration with composer Wilbert Bulsink and illustrator Geert Glas, based on their 9,000km bike-tour through Europe. Credits Percussion – Daniel Cross (Double) Bass (Guitar) – Peter Jessen Keys – Laurens de Boer Guitar – Jeroen Kimman Vocals – Stephanie Pan Vocals – Esther Mugambi Composition – Wilbert Bulsink, Jeroen Kimman…
Implied Manifesto #1 is a music performance by Stephanie Pan which incorporates abstracted pop songs, live improvisation and inarticulateness. Made for voice, wineglasses, Suzuki Omnichord, Nebulophone and live sampler, the performance bears semblance to a personal manifesto, but has almost no comprehensible words. Rather, it relies on the visceral presence of the performer, abstract sound,…
A carefully constructed miniature of the world; a piece where the performer as maker as performer controls all elements of the performance itself. You Are Here: is reality as a construction of the mind. More than theatrical acts, it is states of being, where nothing ‘happens’, but everything exists. It is alternatingly intimate and warm,…