Implied Manifesto #1 is a music performance by Stephanie Pan which incorporates abstracted pop songs, live improvisation and inarticulateness. Made for voice, wineglasses, Suzuki Omnichord, Nebulophone and live sampler, the performance bears semblance to a personal manifesto, but has almost no comprehensible words. Rather, it relies on the visceral presence of the performer, abstract sound,…
Tag: music
maker, performer, solo, taiko, voice
You Are Here: a multi-media performance in three parts for performer, 10m dress, homemade taiko and chocolate cake (2010)
A carefully constructed miniature of the world; a piece where the performer as maker as performer controls all elements of the performance itself. You Are Here: is reality as a construction of the mind. More than theatrical acts, it is states of being, where nothing ‘happens’, but everything exists. It is alternatingly intimate and warm,…
collaborative, performer, voice
De Kellner en De Levenden – Rosa Ensemble & Jan Jaap van der Wal (2010)
Performer/Composer. Music theater show in collaboration with comedian Jan Jaap van der Wal, based on the novel De Kellner en De Levenden by Simon Vestdijk. In Vestdijks famous novel a group of travellers is assembled in a waiting lobby. The last judgement is near, their lives are being scrutinized. Jan Jaap van der Wal and…
collaborative, voice
Rosa Ensemble
This page contains all projects made together with the Rosa Ensemble.
collaborative, performer, voice
Facts to Suit Theories – Stelios Manousakis (2009)
A 30′ minute open work for voice, zither, wine glasses, loopstation and live electronics. Stelios Manousakis: Composition, Programming, Live electronics Stephanie Pan: Voice, Zither, Wineglasses, Loopstation Facts To Suit Theories is a 5-part open composition exploring the continuum between composition and improvisation. The overall structure of the piece and of each part is pre-defined, but its actualization…
collaborative, solo, voice
Pills To Purge Melancholy
Pills To Purge Melancholy – a twisted-folk experiment in accessibility. Pure songs, sad songs, mad songs, weird songs; treatises in subtlety designed to thwart and relieve bouts of melancholy and loneliness, expressed through a unique instrumentation: toy zither, mini Casio, the gifted voice of Stephanie Pan, joined by old friends and colleagues, musical masterminds, Sasha…
collaborative, voice
Navigation – Computer Aided Breathing (2008)
Navigation is a 40-minute, 6-part open composition for four pipe organs, celesta, harmonium, voice, wine-glass, loopstation and live electronics, written for the Computer Aided Breathing trio. It is a site-specific piece, created in and for the Orgelpark through an exploration of the potential of the space and its instruments during many workshop sessions. The piece…
release, voice
Release: Fukuoka Method – Computer Aided Breathing (2007)
Debut CD release from experimental improvisation trio Computer Aided Breathing (Stephanie Pan/Kirstin Gramlich/Stelios Manousakis) on SevenInchRecordings [SIRcd002] Kirstin Gramlich: Emu B3 Hammond Stelios Manousakis: Live electronics, Programming, Compilation Stephanie Pan: Voice, Sampler Contact us for ordering a hand-made, limited edition (15eur + shipping).
collaborative, performer, voice
Computer Aided Breathing
Kirstin Gramlich: pipe organ and keyboards: Stelios Manousakis: programming and live electronics Stephanie Pan: voice, electronics, instruments Computer Aided Breathing is a trio formed in 2006 and devoted to the many different shades of live improvisation, from totally free to compositionally guided. The three members met while studying at the Koninklijk Conservatorium, The Hague, the Netherlands, where…
collaborative, voice
Two Poems by E. E. Cummings – Stelios Manousakis (2006)
For Voice and Live Electronics (10′) Stephanie Pan: Voice Stelios Manousakis: Live Electronics E. E. Cummings: Texts This piece is a setting of two poems by Edward Estlin Cummings (1894-1962), an American poet, painter, essayist and playwright, best known for his poems and their unconventional use of language and writing. The two poems are characteristic of…